Ethics of beneficiary framing
How ought charity beneficiaries be portrayed – or ‘framed’ – in charity advertising and fundraising?
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There’s often a difference of opinion within charities.
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Fundraisers tend to favour those images and stories that they believe will maximise income (that will be used to alleviate the plight of the beneficiaries). Those images tend to show in quite stark context the plight and suffering of beneficiaries, often quite graphically. This is because professional received wisdom says it’s these types of images that raise the most money. We call this the ‘fundraising frame’.
But the fundraising frame is often criticised as ‘poverty porn’, which stereotypes beneficiaries or does not accord them an appropriate level of dignity.
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So, many service delivery staff, and others at charities (not to mention academics working the development field) tend to favour images that reflect more ‘positive’ values about beneficiaries, maintain their dignity, and focus on the solution to the problem. We call this the ‘values frame’. But fundraisers would argue that using the values frame raises less money.
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For the past for years at least (it was a key consideration immediately following Live Aid in 1985) the fundraising and values frames have been pitted against each other in the charity sector – very often within charities. The result is that this issue has become polarised, with little progress towards common ground.
This Rogare project – under the banner of ‘You’ve been reframed’ – aims to end the polarisation between the two frames by reframing the entire issue.
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First, we have jettisoned the idea that the ethics of the situation is contingent on whether ‘dignity’ of beneficiaries has been protected (values frame), or whether an appropriate amount of money has been raised (fundraising frame).
Our solution grounds framing ethics in whether beneficiaries and service users have genuinely been involved in the co-creation and telling of their own stories. Adapting Rights-Balancing Fundraising Ethics, we have come up with this formulation:
Framing in fundraising is ethical when it provides a way for service users/contributors to use their voice and agency to contribute to their own framing and the telling of their own stories, and unethical when it does not.
Second, we argue that any position on the ethical framing of people helped by nonprofits is not something that can be offloaded on to fundraisers but is a matter of organisational strategy that must be agreed and supported by senior leadership.
The situation is often very unfair to fundraisers. They are castigated for their ‘unethical’ use of stories and images (caricatured as poverty porn). Yet they are still required to hit short-term targets using images and stories that are far from guaranteed to get them there (and thus fail to deliver the money needed to help a nonprofit’s beneficiaries); and often get very little support from their organisations in coming up with values-based fundraising, which almost inevitably requires a medium- to long-term timeframe to be tested and become successful.
What we have done
Our arguments, conclusions and recommendations are set out in a paper published in the Journal of Philanthropy, co-authored by Ian MacQuillin, Jess Crombie and Ruth Smyth – ‘The sweetest songs – Ethical framing in fundraising through the agency of services users/contributors to tell their own stories’.
To lay the ground work for this paper, we published two discussion reports reviewing existing research into the:
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The effectiveness of positive and negative framing in fundraising (by Ruth Smyth)
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Attitudes and perceptions of beneficiaries/service users to how they are portrayed in charity fundraising and marketing (by Jess Crombie)
We intend at some point to translate the ideas contained in the JoP paper into two further Rogare reports that will make these ideas more accessible for a practitioner readership. But that won’t be until 2026. Until then, you can read some of the key points in this blog on Critical Fundraising, and this news item detailing some of the recommendations, or delve into the full JoP paper.

Project outputs
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Download the Journal of Philanthropy paper ‘The sweetest songs – Ethical framing in fundraising through the agency of services users/contributors to tell their own stories’, by Ian MacQuillin, Jess Crombie and Ruth Smyth
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Download Positive and negative feedback: What does existing academic research tell us about whether positive or negative framing raises more money?, by Ruth Smyth and Ian MacQuillin. This paper is also available in a version optimised for home printing with block colour removed.
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Download – Putting the contributor centre frame: What the people in our pictures think about the way we tell their stories, by Jess Crobmie. This paper is also available in a version optimised for home printing with block colour removed.
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News item on the Critical Fundraising blog detailing some of the key recommendations from the ‘Sweetest songs’ paper, including the call for all charities to develop ethical polices on how they use images and stories.
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Read Ian MacQuillin’s blog on Critical Fundraising that summarises some of the key points from the Journal of Philanthropy article – ‘The sweetest songs’.

More information
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Read Rogare director Ian MacQuillin’s two-part blog on Critical Fundraising that discusses the context and some of the assumptions behind this project: You've been reframed, Part 1 – are fundraisers and programme delivery 'ideologically' divided about beneficiary images?
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Read Ian MacQuillin’s two-part blog on Critical Fundraising that discusses the context and some of the assumptions behind this project: You've been reframed, Part 2 – how we need to rethink the question of beneficiary images
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In a crossover with our project on fundraising history, we collaborated with SOFII (Showcase of Fundraising Innovation and Inspiration) on a webinar that explored the historical use of images in fundraising, and how an understanding of this can inform the ethical use of images today. The webinar, from May 2024, was hosted by Rogare’s partner the Chartered Institute of Fundraising.
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Ian MacQuillin discusses the ethics of beneficiary framing at the International Fundraising Congress in the Netherlands.
Our ideas on the ethics of framing have been presented at major conferences in Canada, Ireland, England, USA and the Netherlands.